To get a real feel for his articulation, you’ll need to listen to the recording. I haven’t attempted to show all of Richie’s slurs and nuances, just a few that I felt needed to be indicated. Note: I transcribed Richie’s solo for Eb instruments, specifically the alto sax. Anyone who wants to gain mastery of Bird changes will profit from working on this one. A quintessential bebop tune, “Confirmation” rips along at 246 beats per minute, providing Richie with a perfect vehicle to demonstrate his formidable chops and his broad bop vocabulary. The solo is transcribed from Richie’s 2007 CD The Man with the Horn. Please support Dimitrii so that he is encouraged to keep transcribing. jazz saxophone and flute solo transcriptions by numerous jazz masters. This Chris Potter tenor saxophone solo on Impressions is relatively short compared to some of Chris Potter’s other live solos but there is a lot of cool lines and ideas throughout the solo to learn from. Sax Solo Transcription of YouAlto Sax Jazz Transcription. So it is with his rendition here of the Charlie Parker standard “Confirmation.” Some of Richie’s rhythms and trills caused me to sweat blood for hours trying to at least approximate in a measure or two ideas that flew glibly from the man’s horn in the matter of a second. Chris Potter at Ground Up Music Fest 2019-Impressions Tenor Sax Solo. However, Richie has a way of interpolating material that requires serious effort to figure out exactly what the heck he’s doing. Learn Jazz Improvisation from critically-acclaimed saxophonist Jim Snidero (Downbeat. Charlie Rouse - They Didnt Believe Me (1960) -4: In Bb. jazz saxophone and flute solo transcriptions by numerous jazz masters. I view transcription of jazz solos to be an essential part of learning how to improvise. The Bridge 909 in Studio (2016) -2: In Eb. He has carved his niche as a bastion of bebop, and as such, his language is largely accessible. This page containsjazz saxophone and flute solo transcriptionsby numerous jazz masters. Richie Cole is–to put it in words you’ll rarely hear from a sedate, late-middle-aged Germanic male–one bad mofo on the alto sax. Pingback: A Guide to Transcribing Jazz Solos Sam Spear Music. Included here are mostly clarinet solos, but also a couple of tenor saxophone solos, from Lester Young and Ken Peplowski, who are also clarinetists, and thus their tenor solos translate to clarinet really well. Cannonball Adderley Never Will I Marry (Nancy Wilson/Cannonball. This latest transcription has kicked my butt. For many years, I have pursued occasional jazz clarinet projects, and would like to share some of my transcriptions here. I am not the world’s most accomplished jazz solo transcriber, but every time I tackle a project, I discover anew just how beneficial the discipline of transcribing jazz solos is.
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